The Shining is a 1980 American horror film produced
and directed by Stanley Kubrick and co-written with novelist Diane Johnson. The
film is based on Stephen King's 1977 novel The Shining. The Shining is about
Jack Torrance, an aspiring writer and recovering alcoholic, who accepts a
position as the off-season caretaker of the isolated historic Overlook Hotel in
the Colorado Rockies. Wintering over with Jack is his wife Wendy Torrance and
young son Danny Torrance, who possesses "the shining", an array of
psychic abilities that allow Danny to see the hotel's horrific past. The hotel
had a previous winter caretaker who went crazy and killed his wife, two
daughters and then himself. After a winter storm leaves the Torrances
snowbound, Jack's sanity deteriorates due to the influence of the supernatural
forces that inhabit the hotel, placing his wife and son in danger.
The Shining is one of the most top famous horror movie,
because of the approach to conspiratorial interpretations, which most of the
approach are based on the mise-en-scene of the film. The typical horror film
approach is more, dark gothic horror-story lighting in the film, which shows
the continuing influence of German Expressionism on the horror genre. But
Kubrick setting the movie to a different approach, instead of the cramped
darkness and panicky quick editing of the typical horror movie. One of the
important and unique aspect of the setting in film is the lighting, the hotel
was generally well lit up, to give the sense of vastness and emptiness of the
space which creates the conspiratorial effects that make the audience feel
creepy. Take for example, the scene where Danny was peddling in the hallway the
lighting was dimly lit the whole time to create a creepy atmosphere. When Danny
turns into the second hallway, it gets even darker to make it creepier. The
camera angles at the very beginning of the shot, the camera is far away from
Danny so that the audience can see the hallway. The next shot, the camera then
zooms in on Danny as he's turning around the corner. When the girls appear, the
camera constantly switches back forth between them and Danny. Then showing the flashes
back of the girls are dead on the floor and every time it switches back to
present time, the girls are getting closer to Danny. The Lighting in the first
hallway is green and barren looking. The props are shiny and dull so that the
red blood stands out in the next hallway.
In summary, The Shining is a great example of the
power and potential of mise-en-scene, but it is not in any way typical. Kubrick
does use mise-en-scene to define setting and character, but he also uses it
counter-intuitively to challenge the preconceptions of the viewing audience,
and to pose philosophical questions about the nature of the universe and the
role of humans within it, as well as the role of the film director in
“overlooking” or directing the gaze of the viewer.